Complete List of Works

LARGE ENSEMBLE

Ah! The hovering...! (2018), for sinfonietta (1.1.2.1., 1.1.1.0, piano, 2 perc, acc., 1.1.1.1.) Written for Alarm Will Sound at the Missouri International Composers Festival, July 2018.

half murmur (2017), for sinfonietta (1.1.1.1., 1.1.1.0., piano, 2 perc, harp, 2.1.1.1.)

10'. Written for the Earle Brown International Summer Academy/Talea Ensemble at Time Spans Festival, August 2017. 

Territory (2016), for sinfonietta (1.1.1.1., 1.0.1.0., piano, 2 perc, 2.1.1.1.) 10'.

CHAMBER ENSEMBLE

Conditional (2019), for Wolftone (bassoon and violin). 10', or longer.

 

for the [r]amp (2019), for open instrumentation + objects. ~20'.

 

FAT SUNSET 2018 (2018), for open instrumentation (instruments with sustaining capabilities). 

Company (2018), for trombone, two guitars, percussion, cello, objects. . 20+'.

Commissioned by Heavy Air

Entrance at the End (2017), for electric guitar and percussion with objects. 10'. For The Living Earth Show @ UC Davis Revision/s Festival, January 2018.

rev. 2018 for two performers and electronics. 

AT A STEADY CONSISTENT RATE (2017), open instrumentation. 

6 fingers / we go there by any road we take (2017), for bass flute, oboe, Eb clarinet, violin, cello, voice. 10 - 15'. Commissioned by Kamratōn Ensemble. 

from the signal (2017), for double trio (1: clarinet, trumpet, percussion, 2: violin, viola, cello). 10'. Commissioned by the Chicago Civic Orchestra Composers Project, May 2017. 

here (2016), for string quartet. 12'. Written for the JACK Quartet. 

For 5+ Performers (2016), open instrumentation. at least 8'. 

go or cross over (2016), for oboe, bassoon, piano, amplification 9-10'. 

breached (2015), for guitar quartet. Commissioned by the Cola Guitar Quartet, May 2016. 7'. 

the more I see (2015), for string quartet. 6'. 

Daddy (2015), for percussion I, percussion II, piano. 5'. 

Indulgent (2014), for alto saxophone, percussion, piano. 8'.  

Tandem Repeats (2013), for flute, clarinet, electric guitar, double bass, piano. 7'.

SOLO

IN A DARK ROOM, I WILL SHUT MY EYES (2019), solo bass improvisation. 8+'. 

In Resonance (2016), for solo percussion. 8-15'. 

Distinction I (2016-17), solo instrument and electronics. 8'. 

 

Visual Field (2015), for bass clarinet. 6-7'.